Sécurité The Classic Recordings 1958-1960 Bricolage,1958-1960 The Classic Recordings,The Classic Recordings 1958-1960: Wes Montgomery: Musique.The Classic Recordings 1958-1960.
The Classic Recordings 1958-1960: Wes Montgomery: Musique. American jazz guitarist John Leslie Wes Montgomery, born March 6, 19, is widely considered one of the major jazz guitarists, emerging after such seminal figures as Django Reinhardt and Charlie Christian. Montgomery was born in Indianapolis, Indiana; according to NPR Profiles The Life and Music of , the nickname Wes was a child's abbreviation of his middle name, Leslie. He came from a musical family; his brothers, Monk (double bass and electric bass) and Buddy (vibraphone and piano), were jazz performers too. The brothers released a number of albums together as The Montgomery Brothers. Although he was not skilled at reading music, Wes could learn complex melodies and riffs by ear. He started teaching himself the six string guitar at the relatively late age of 0 by listening to and learning the recordings of his idol, swing/pre-bop guitarist Charlie Christian; however, he had played a four string tenor guitar since age twelve. He was known for his ability to play Christian's solos note for note and was hired by Lionel Hampton for this ability. Following the early work of Christian and gypsy-jazz guitarist Django Reinhardt, Wes joined Tal Farlow, Johnny Smith, Jimmy Raney, and Barney Kessell to put the guitar on the map as a bebop / post-bop instrument. While these men generally curtailed their own output in the 1960s, Montgomery recorded prolifically during this period, lending guitar to the same tunes that contemporaries like John Coltrane and were recording. In his early career, to support his family of eight, Montgomery worked in a factory from 7:00 am to :00 pm, and then performed in local clubs from 9:00 pm to :00 am. Cannonball Adderley heard Montgomery in a local club and was floored. The next morning he called record producer Orrin Keepnews, who signed Montgomery to a recording contract with Riverside Records. Adderley later recorded with Montgomery on his Pollwinners album. Montgomery recorded with his brothers and various other group members, including the Wynton Kelly Trio which had previously backed . John Coltrane asked Montgomery to join his band after a jam session, but Montgomery continued to lead his own group. Boss Guitar seems to refer to his status as a guitar-playing bandleader. He also made contributions to recordings by . purists relish Montgomery's recordings up through 196, and sometimes complain that he abandoned hard-bop for pop jazz toward the end of his career, although it is arguable that he gained a wider audience for his earlier work with his soft jazz from 196 1968. During this late period he would occasionally turn out original material alongside jazzy orchestral arrangements of pop songs. In sum, this late period earned him considerable wealth and created a platform for a new audience to hear his earlier recordings. Montgomery toured with vibraphonist Lionel Hampton's orchestra from July 1948 to January 190, and can be heard on recordings from this period. Montgomery then returned to Indianapolis and did not record again until 198 (save for one brief occasion in 19), when he took part in a session that included his brothers, as well as trumpeter Freddie Hubbard, who made his recording debut with Montgomery. Most of the recordings released by Montgomery and his brothers from 198 199 were released on the Pacific label. This 4 CD collection features s complete recorded output from 198 1960 and includes classic albums with Wes as leader, a further 4 with his brothers, released as The Montgomery Brothers, and the classic collaboration Wes (along with Cannonball Adderley) made with vocalist and lyricist Jon Hendricks on the album, A Good Git Together . 。 。 。
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